{"id":691,"date":"2026-06-05T20:41:39","date_gmt":"2026-06-05T20:41:39","guid":{"rendered":"https:\/\/muhsinrizvic.ba\/?st-import=d0ff8aac267098373fb2c5a5cac3855e"},"modified":"2026-07-13T18:46:42","modified_gmt":"2026-07-13T18:46:42","slug":"home","status":"publish","type":"page","link":"https:\/\/muhsinrizvic.ba\/en\/","title":{"rendered":"Home"},"content":{"rendered":"<div data-spectra-id=\"abc2ec26\"\tstyle=\"overflow: visible;--spectra-background-gradient: linear-gradient(180deg,rgba(7,146,227,0) 60%,rgb(0,0,0) 99%);--spectra-overlay-opacity: 1\" class=\"spectra-is-root-container alignfull spectra-overlay-color spectra-overflow spectra-background-gradient spectra-dim-ratio wp-block-spectra-container\" data-orientation=\"vertical\"\t>\n\t\n<div data-spectra-id=\"spectra-08c0e953-root\" style=\"overflow: visible\" class=\"spectra-overlay-color spectra-overflow wp-block-spectra-container\" data-orientation=\"vertical\">\n\t\n\t<h1 data-spectra-id=\"spectra-08c0e953-title\" class=\"wp-block-spectra-content\">\n\t\tMuhsin Rizvi\u0107\t<\/h1>\n\n\n<div data-spectra-id=\"spectra-08c0e953-btns\" class=\"wp-block-button spectra-buttons wp-block-spectra-buttons\">\n\t\n<a data-spectra-id=\"spectra-08c0e953-btn\" style=\"background-color:#ffffff00;--spectra-text-color: ast-global-color-2;--spectra-background-color-hover: #ffffff00\" class=\"wp-block-button__link wp-element-button spectra-text-color spectra-background-color-hover wp-elements-4fb1da9a62512da90e24e16c623f4d0a wp-block-spectra-button has-text-color has-ast-global-color-2-color has-background\">\n<div class=\"spectra-button__link\">Scroll down<\/div><\/a>\n\n<\/div>\n\n<\/div>\n\n<\/div>\n\n\n<div data-spectra-id=\"b5e7e8ee\"\tstyle=\"overflow: visible;--spectra-overlay-opacity: 1\" class=\"spectra-is-root-container alignfull spectra-overlay-color spectra-overflow spectra-dim-ratio wp-block-spectra-container\" data-orientation=\"vertical\"\t>\n\t\n<div data-spectra-id=\"spectra-mipkk0da-207d8n\" style=\"overflow: visible\" class=\"spectra-overlay-color spectra-overflow wp-block-spectra-container\" data-orientation=\"horizontal\">\n\t\n<div data-spectra-id=\"spectra-0fc90987-root\" style=\"overflow: visible\" class=\"spectra-overlay-color spectra-overflow wp-block-spectra-container\" data-orientation=\"vertical\">\n\t\n\t<h5 data-spectra-id=\"spectra-0fc90987-prefix\" style=\"--spectra-text-color: var(--ast-global-color-1)\" class=\"has-text-color spectra-text-color wp-block-spectra-content has-var-ast-global-color-1-color\">\n\t\tA. ZULI\u0106\t<\/h5>\n\n\n\t<h2 data-spectra-id=\"spectra-0fc90987-title\" class=\"wp-block-spectra-content\">\n\t\tMan with an Upright Walk, 1994.<br><a href=\"https:\/\/muhsinrizvic.ba\/wp-content\/uploads\/2026\/07\/MRizvic-Covjek_uspravnog_hoda.pdf\"><img loading=\"lazy\" decoding=\"async\" width=\"50\" height=\"50\" class=\"wp-image-2081\" style=\"width: 50px\" src=\"https:\/\/muhsinrizvic.ba\/wp-content\/uploads\/2026\/07\/Artboard-2-copy.png\" alt=\"artboard 2 copy\" title=\"Home\"><\/a>\t<\/h2>\n\n<\/div>\n\n\n<div data-spectra-id=\"spectra-1f18b2e0-root\" style=\"overflow: visible\" class=\"spectra-overlay-color spectra-overflow wp-block-spectra-container\" data-orientation=\"vertical\">\n\t\n\t<p data-spectra-id=\"spectra-1f18b2e0-content\" class=\"wp-block-spectra-content\">\n\t\tMuhsin Rizvi\u0107 is a man of institutions, as many describe him.<br>They called him in the days following his passing. Many would not have dared to say so during the life of this exceedingly modest and unassuming man, whose life&#x27;s work and creative output deserve such a colossal epithet. At a time when the Muslim people had no institutions of their own, Professor Dr Muhsin Rizvi\u0107 worked tirelessly, with research and dedication, to uncover and present many neglected values of Bosniak-Muslim culture, particularly its literature. In his relatively short life, he created a body of work worthy of admiration.\t<\/p>\n\n\n<div data-spectra-id=\"spectra-1f18b2e0-buttons\" class=\"wp-block-button spectra-buttons wp-block-spectra-buttons\">\n\t\n\n<\/div>\n\n<\/div>\n\n<\/div>\n\n<\/div>\n\n\n<div data-spectra-id=\"spectra-79dfff93-4819-4f3b-986a-ad3dba0f2fc8\"\tstyle=\"overflow: visible;--spectra-overlay-opacity: 1\" class=\"spectra-is-root-container alignfull spectra-overlay-color spectra-overflow spectra-dim-ratio wp-block-spectra-container\" data-orientation=\"vertical\"\t>\n\t\n<div data-spectra-id=\"spectra-e914c196-e8d2-4574-bb27-596561de3ca9\" style=\"overflow: visible\" class=\"spectra-overlay-color spectra-overflow wp-block-spectra-container\" data-orientation=\"vertical\">\n\t\n\t<h5 data-spectra-id=\"spectra-cc7ed774-219e-43a6-a61f-721d0b014f32\" style=\"--spectra-text-color: var(--ast-global-color-1)\" class=\"has-text-color spectra-text-color wp-block-spectra-content has-var-ast-global-color-1-color\" id=\"biografija\">\n\t\tBiography\t<\/h5>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\t<p data-spectra-id=\"spectra-5b267bdb-ef73-4701-8504-2fe7514f9315\" class=\"wp-block-spectra-content\">\n\t\tMuhsin Rizvi\u0107 was born on 14 April 1930 in Mostar. He completed his primary and secondary education in Sarajevo. \t<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In 1960, he graduated from the Faculty of Philosophy in Sarajevo. <br>(Department of Yugoslav Literatures), after which he worked as a research fellow at the Institute for Literature in Sarajevo.<br><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In 1970 he was awarded a doctorate in literary history by the Faculty of Philosophy in Sarajevo, where he taught Serbian and Croatian Romantic literature and the older literature of the peoples of Bosnia and Herzegovina. He was the first president of the revived KDB &quot;Preporod&quot; and a visiting professor at the Faculty of Philosophy.<br>at the Faculty in Zadar and at the Interuniversity Centre in Dubrovnik, and until his death he was a dedicated and respected professor at the Faculty of Philosophy in Sarajevo.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><br>He died in Sarajevo on 9 June 1994.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><br>He has published 13 books and a large number of studies, essays and scientific papers.<\/p>\n\n\n<div data-spectra-id=\"spectra-17ca433b-2223-4b3d-9bd9-0147075d81a1\" class=\"wp-block-button spectra-buttons wp-block-spectra-buttons\">\n\t\n\n<\/div>\n\n<\/div>\n\n<\/div>\n\n\n<div data-spectra-id=\"05c5b147\"\tstyle=\"overflow: visible;--spectra-overlay-opacity: 1\" class=\"spectra-is-root-container alignfull spectra-overlay-color spectra-overflow spectra-dim-ratio wp-block-spectra-container\" data-orientation=\"vertical\"\t>\n\t\n\t<h5 data-spectra-id=\"spectra-mrixf77x-pritoy\" style=\"--spectra-text-color: var(--ast-global-color-1)\" class=\"has-text-color spectra-text-color wp-block-spectra-content has-var-ast-global-color-1-color\" id=\"bibliografija\">\n\t\tBibliography\t<\/h5>\n\n\n\t<p data-spectra-id=\"spectra-mrizb50r-lm2ms1\" class=\"wp-block-spectra-content\">\n\t\tSelective bibliography of critical texts by Muhsin Rizvi\u0107\t<\/p>\n\n\n<div data-spectra-id=\"spectra-miplb68y-s9fyk0\" style=\"overflow: visible\" class=\"spectra-overlay-color spectra-overflow wp-block-spectra-container\" data-orientation=\"vertical\">\n\t\n<div data-spectra-id=\"spectra-miplchko-ezrdfc\" style=\"overflow: visible\" class=\"spectra-overlay-color spectra-overflow wp-block-spectra-container\" data-orientation=\"horizontal\">\n\t\n<div data-spectra-id=\"spectra-cae2acda-root\" style=\"overflow: visible\" class=\"spectra-overlay-color spectra-overflow wp-block-spectra-container\" data-orientation=\"vertical\">\n\t\n\t<h2 data-spectra-id=\"spectra-cae2acda-prefix\" style=\"--spectra-text-color: var(--ast-global-color-0)\" class=\"has-text-color spectra-text-color wp-block-spectra-content has-var-ast-global-color-0-color\">\n\t\t2005\t<\/h2>\n\n\n\t<h5 data-spectra-id=\"spectra-cae2acda-title\" class=\"wp-block-spectra-content\">\n\t\t<a href=\"https:\/\/muhsinrizvic.ba\/wp-content\/uploads\/2026\/07\/Rizvic-Knjizevne-studije.pdf\" data-type=\"link\" data-id=\"https:\/\/muhsinrizvic.ba\/wp-content\/uploads\/2026\/07\/Rizvic-Knjizevne-studije.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">KNJI\u017dEVNE STUDIJE \/ Literary Studies<\/a> \t<\/h5>\n\n\n\t<p data-spectra-id=\"spectra-mriyc737-etab0r\" class=\"wp-block-spectra-content\">\n\t\tBosniak Cultural Community Preporod, Sarajevo, 2005, Latin, p. 548.\t<\/p>\n\n\n\t<p data-spectra-id=\"spectra-2c887c02-f931-4def-81d9-953a71bf73fb\" class=\"wp-block-spectra-content\">\n\t\t<br><a href=\"https:\/\/muhsinrizvic.ba\/wp-content\/uploads\/2026\/07\/Rizvic-Knjizevne-studije.pdf\" data-type=\"link\" data-id=\"https:\/\/muhsinrizvic.ba\/wp-content\/uploads\/2026\/07\/Rizvic-Knjizevne-studije.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"50\" height=\"50\" class=\"wp-image-2081\" style=\"width: 50px\" src=\"https:\/\/muhsinrizvic.ba\/wp-content\/uploads\/2026\/07\/Artboard-2-copy.png\" alt=\"artboard 2 copy\" title=\"Home\"><\/a>\t<\/p>\n\n<\/div>\n\n\n<div data-spectra-id=\"spectra-8b27ce14-root\" style=\"overflow: visible\" class=\"spectra-overlay-color spectra-overflow wp-block-spectra-container\" data-orientation=\"vertical\">\n\t\n\t<h2 data-spectra-id=\"spectra-8b27ce14-prefix\" style=\"--spectra-text-color: var(--ast-global-color-0)\" class=\"has-text-color spectra-text-color wp-block-spectra-content has-var-ast-global-color-0-color\">\n\t\t1999\t<\/h2>\n\n\n\t<h5 data-spectra-id=\"spectra-8b27ce14-title\" class=\"wp-block-spectra-content\">\n\t\t<a href=\"https:\/\/muhsinrizvic.ba\/wp-content\/uploads\/2026\/07\/MRizvic-Bosna_i_Bosnjaci_-jezik_i_pismo.pdf\" data-type=\"link\" data-id=\"https:\/\/muhsinrizvic.ba\/wp-content\/uploads\/2026\/07\/MRizvic-Bosna_i_Bosnjaci_-jezik_i_pismo.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">BOSNA I BO\u0160NJACI. JEZIK I PISMO \/ Bosnia and Bosniaks. Language and script<\/a>  \t<\/h5>\n\n\n\t<p data-spectra-id=\"spectra-8b27ce14-desc\" class=\"wp-block-spectra-content\">\n\t\tBosniak Cultural Community Preporod, Sarajevo, 1999, Latin, p. 68.\t<\/p>\n\n\n\n\n\t<p data-spectra-id=\"spectra-d50ca171-c25a-4a41-b235-edd33c9cd877\" class=\"wp-block-spectra-content\">\n\t\t<br><a href=\"https:\/\/muhsinrizvic.ba\/wp-content\/uploads\/2026\/07\/MRizvic-Bosna_i_Bosnjaci_-jezik_i_pismo.pdf\" data-type=\"link\" data-id=\"https:\/\/muhsinrizvic.ba\/wp-content\/uploads\/2026\/07\/MRizvic-Bosna_i_Bosnjaci_-jezik_i_pismo.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"50\" height=\"50\" class=\"wp-image-2081\" style=\"width: 50px\" src=\"https:\/\/muhsinrizvic.ba\/wp-content\/uploads\/2026\/07\/Artboard-2-copy.png\" alt=\"artboard 2 copy\" title=\"Home\"><\/a>\t<\/p>\n\n<\/div>\n\n\n<div data-spectra-id=\"spectra-ibx-root-646177db\" style=\"overflow: visible\" class=\"spectra-overlay-color spectra-overflow wp-block-spectra-container\" data-orientation=\"vertical\">\n\t\n\t<h2 data-spectra-id=\"spectra-ibx-prefix-646177db\" style=\"--spectra-text-color: var(--ast-global-color-0)\" class=\"has-text-color spectra-text-color wp-block-spectra-content has-var-ast-global-color-0-color\">\n\t\t1995\t<\/h2>\n\n\n\t<h5 data-spectra-id=\"spectra-ibx-title-646177db\" class=\"wp-block-spectra-content\">\n\t\tBosnian Muslims in Andri\u0107&#x27;s World \t<\/h5>\n\n\n\t<p data-spectra-id=\"spectra-ibx-desc-646177db\" class=\"wp-block-spectra-content\">\n\t\tNIPP Ljiljan, Sarajevo, 1995, Latin, p. 686.\t<\/p>\n\n\n\n\n\t<p data-spectra-id=\"spectra-7ffb08ae-a578-4a0e-a206-65a526a469bd\" class=\"wp-block-spectra-content\">\n\t\t<br><a href=\"https:\/\/muhsinrizvic.ba\/wp-content\/uploads\/2026\/07\/Muslimani_u_andricevom_svijetu_MRizvic.pdf\" data-type=\"link\" data-id=\"https:\/\/muhsinrizvic.ba\/wp-content\/uploads\/2026\/07\/Muslimani_u_andricevom_svijetu_MRizvic.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"50\" height=\"50\" class=\"wp-image-2081\" style=\"width: 50px\" src=\"https:\/\/muhsinrizvic.ba\/wp-content\/uploads\/2026\/07\/Artboard-2-copy.png\" alt=\"artboard 2 copy\" title=\"Home\"><\/a>\t<\/p>\n\n<\/div>\n\n<\/div>\n\n\n<div data-spectra-id=\"spectra-22790c19-3be1-47d2-963e-040f2607a80f\" style=\"overflow: visible\" class=\"spectra-overlay-color spectra-overflow wp-block-spectra-container\" data-orientation=\"horizontal\">\n\t\n<div data-spectra-id=\"spectra-0e614d4c-root\" style=\"overflow: visible\" class=\"spectra-overlay-color spectra-overflow wp-block-spectra-container\" data-orientation=\"vertical\">\n\t\n\t<h2 data-spectra-id=\"spectra-0e614d4c-prefix\" style=\"color:var(--ast-global-color-0)\" class=\"wp-block-spectra-content has-text-color\">\n\t\t1994\t<\/h2>\n\n\n\t<h5 data-spectra-id=\"spectra-0e614d4c-title\" class=\"wp-block-spectra-content\">\n\t\tPanorama of Bosnian Literature\t<\/h5>\n\n\n\t<p data-spectra-id=\"spectra-0e614d4c-desc\" class=\"wp-block-spectra-content\">\n\t\tNIPP Ljiljan, Sarajevo, 1994, Latin, p. 447.\t<\/p>\n\n<\/div>\n\n\n<div data-spectra-id=\"spectra-7d81294e-root\" style=\"overflow: visible\" class=\"spectra-overlay-color spectra-overflow wp-block-spectra-container\" data-orientation=\"vertical\">\n\t\n\t<h2 data-spectra-id=\"spectra-7d81294e-prefix\" style=\"--spectra-text-color: var(--ast-global-color-0)\" class=\"has-text-color spectra-text-color wp-block-spectra-content has-var-ast-global-color-0-color\">\n\t\t1989\t<\/h2>\n\n\n\t<h5 data-spectra-id=\"spectra-7d81294e-title\" class=\"wp-block-spectra-content\">\n\t\tBetween the Wolf and Gaja\t<\/h5>\n\n\n\t<p data-spectra-id=\"spectra-7d81294e-desc\" class=\"wp-block-spectra-content\">\n\t\tPublishing activity of NIPRO Oslobodjenje, Sarajevo, 1989, Latin, p. 384.\t<\/p>\n\n<\/div>\n\n\n<div data-spectra-id=\"spectra-42b6c307-root\" style=\"overflow: visible\" class=\"spectra-overlay-color spectra-overflow wp-block-spectra-container\" data-orientation=\"vertical\">\n\t\n\t<h2 data-spectra-id=\"spectra-42b6c307-prefix\" style=\"--spectra-text-color: var(--ast-global-color-0)\" class=\"has-text-color spectra-text-color wp-block-spectra-content has-var-ast-global-color-0-color\">\n\t\t1989\t<\/h2>\n\n\n\t<h5 data-spectra-id=\"spectra-42b6c307-title\" class=\"wp-block-spectra-content\">\n\t\tThrough &quot;The Mountain Wreath&quot;: An Interpretation and a Textual-Comparative Study of Structure\t<\/h5>\n\n\n\t<p data-spectra-id=\"spectra-42b6c307-desc\" class=\"wp-block-spectra-content\">\n\t\tSvjetlost, Publishing, Sarajevo, 1989, Latin, p. 444.\t<\/p>\n\n<\/div>\n\n<\/div>\n\n\n<div data-spectra-id=\"spectra-621ed6a5-8e37-4705-a583-599a7de90995\" style=\"overflow: visible\" class=\"spectra-overlay-color spectra-overflow wp-block-spectra-container\" data-orientation=\"horizontal\">\n\t\n<div data-spectra-id=\"spectra-fbb00834-49cc-48c6-809d-edd5cb9d9194\" style=\"overflow: visible\" class=\"spectra-overlay-color spectra-overflow wp-block-spectra-container\" data-orientation=\"vertical\">\n\t\n\t<h2 data-spectra-id=\"spectra-47c0d8bc-b2b1-4828-8661-41a40b9c6652\" style=\"color:var(--ast-global-color-0)\" class=\"wp-block-spectra-content has-text-color\">\n\t\t1986\t<\/h2>\n\n\n\t<h5 data-spectra-id=\"spectra-6e75fd90-0e10-4b9d-8ddd-a3479605680d\" class=\"wp-block-spectra-content\">\n\t\tStreams and Creators from Bosnian Literature\t<\/h5>\n\n\n\t<p data-spectra-id=\"spectra-c1aeaf15-bab1-4568-963a-cc1f0eb183ab\" class=\"wp-block-spectra-content\">\n\t\tUniverzal, Tuzla, 1986, Latin, p. 315.\t<\/p>\n\n<\/div>\n\n\n<div data-spectra-id=\"spectra-bb9e5073-af1b-4b38-a0a8-7cf44ed9d50c\" style=\"overflow: visible\" class=\"spectra-overlay-color spectra-overflow wp-block-spectra-container\" data-orientation=\"vertical\">\n\t\n\t<h2 data-spectra-id=\"spectra-15e90844-5182-4234-bf9e-991d0cb81b4d\" style=\"--spectra-text-color: var(--ast-global-color-0)\" class=\"has-text-color spectra-text-color wp-block-spectra-content has-var-ast-global-color-0-color\">\n\t\t1985\t<\/h2>\n\n\n\t<h5 data-spectra-id=\"spectra-8ca35ea1-a8ca-4567-bc59-0a252332c19f\" class=\"wp-block-spectra-content\">\n\t\tAn Overview of the Literature of the Peoples of Bosnia and Herzegovina\t<\/h5>\n\n\n\t<p data-spectra-id=\"spectra-9e90d186-a7fe-4fbd-9647-829fd7de9462\" class=\"wp-block-spectra-content\">\n\t\tSOUR Veselin Masle\u0161a, IRO Sarajevo, OOUR Publishing Activity, Sarajevo, 1985, Latin, p. 248.\t<\/p>\n\n<\/div>\n\n\n<div data-spectra-id=\"spectra-3c4ead81-dbac-4099-a392-066ffa636e9f\" style=\"overflow: visible\" class=\"spectra-overlay-color spectra-overflow wp-block-spectra-container\" data-orientation=\"vertical\">\n\t\n\t<h2 data-spectra-id=\"spectra-10aa03e3-7592-407c-a2a6-e1fa3c5c03c0\" style=\"--spectra-text-color: var(--ast-global-color-0)\" class=\"has-text-color spectra-text-color wp-block-spectra-content has-var-ast-global-color-0-color\">\n\t\t1984\t<\/h2>\n\n\n\t<h5 data-spectra-id=\"spectra-0d031e90-e872-470a-bca7-4995d3f5b2f1\" class=\"wp-block-spectra-content\">\n\t\tInterpretations from Romanticism II\t<\/h5>\n\n\n\t<p data-spectra-id=\"spectra-335e623d-7ee0-4914-9517-876970555c28\" class=\"wp-block-spectra-content\">\n\t\tSvjetlost, Sarajevo, Institute for Textbooks and Teaching Aids, Teaching Library, Vol. 104, Sarajevo, 1984, Latin, p. 215.\t<\/p>\n\n<\/div>\n\n<\/div>\n\n\n<div data-spectra-id=\"spectra-2104eb25-eea5-41da-a51b-ca3c3536d009\" style=\"overflow: visible\" class=\"spectra-overlay-color spectra-overflow wp-block-spectra-container\" data-orientation=\"horizontal\">\n\t\n<div data-spectra-id=\"spectra-2a323ddf-49e1-4223-b5fd-e23e74ea6dec\" style=\"overflow: visible\" class=\"spectra-overlay-color spectra-overflow wp-block-spectra-container\" data-orientation=\"vertical\">\n\t\n\t<h2 data-spectra-id=\"spectra-dfc8aa5a-b307-4ed6-91f7-10afe62c0692\" style=\"color:var(--ast-global-color-0)\" class=\"wp-block-spectra-content has-text-color\">\n\t\t1980\t<\/h2>\n\n\n\t<h5 data-spectra-id=\"spectra-a6be2848-a46e-46b4-9338-c14f01ed35be\" class=\"wp-block-spectra-content\">\n\t\tBosnian-Herzegovinian Literary Studies\t<\/h5>\n\n\n\t<p data-spectra-id=\"spectra-0f41876f-7773-49ea-acdd-8d78e8373ce3\" class=\"wp-block-spectra-content\">\n\t\tIRO Veselin Masle\u0161a, Publishing Department, Sarajevo, 1980, Latin, p. 424.\t<\/p>\n\n<\/div>\n\n\n<div data-spectra-id=\"spectra-b621041a-0d0f-4b50-88d8-098bef500bb2\" style=\"overflow: visible\" class=\"spectra-overlay-color spectra-overflow wp-block-spectra-container\" data-orientation=\"vertical\">\n\t\n\t<h2 data-spectra-id=\"spectra-9d2422c9-0105-48a9-9fbd-991bfd2b1856\" style=\"--spectra-text-color: var(--ast-global-color-0)\" class=\"has-text-color spectra-text-color wp-block-spectra-content has-var-ast-global-color-0-color\">\n\t\t1976\t<\/h2>\n\n\n\t<h5 data-spectra-id=\"spectra-7547cea4-3741-4ee7-bb13-b6d10683c2b0\" class=\"wp-block-spectra-content\">\n\t\tInterpretations from Romanticism\t<\/h5>\n\n\n\t<p data-spectra-id=\"spectra-18e6a122-be6e-4909-9cee-f53efd2d103c\" class=\"wp-block-spectra-content\">\n\t\tSvjetlost, Institute for Textbooks, Sarajevo, 1976, Latin, p. 254.\t<\/p>\n\n<\/div>\n\n\n<div data-spectra-id=\"spectra-e9e74975-5ba8-450e-8b82-7a73caf53a11\" style=\"overflow: visible\" class=\"spectra-overlay-color spectra-overflow wp-block-spectra-container\" data-orientation=\"vertical\">\n\t\n\t<h2 data-spectra-id=\"spectra-78767e42-f7c9-4314-a524-6993d2283ab5\" style=\"--spectra-text-color: var(--ast-global-color-0)\" class=\"has-text-color spectra-text-color wp-block-spectra-content has-var-ast-global-color-0-color\">\n\t\t1973\t<\/h2>\n\n\n\t<h5 data-spectra-id=\"spectra-d9fbc74b-8566-499c-877d-cd952b6e7d29\" class=\"wp-block-spectra-content\">\n\t\tThe Literary Work of Muslim Writers in Bosnia and Herzegovina during the Austro-Hungarian Rule\t<\/h5>\n\n\n\t<p data-spectra-id=\"spectra-4b576b56-2e2a-4c9c-bb64-60119c4f98c9\" class=\"wp-block-spectra-content\">\n\t\t(Academy of Sciences and Arts of Bosnia and Herzegovina, Works, XLVI\/1-2), Sarajevo, 1973 \u2013 2nd ed.\t<\/p>\n\n\n\t<h5 data-spectra-id=\"spectra-709a0046-4293-4326-9c75-2bc4e785eb89\" class=\"wp-block-spectra-content\">\n\t\tBosniak literature<br>The Age of the Renaissance 1887\u20131918.\t<\/h5>\n\n\n\t<p data-spectra-id=\"spectra-33408250-d91e-42ef-b50e-e35ce362cd63\" class=\"wp-block-spectra-content\">\n\t\tThe Presidency of the Islamic Community of Bosnia and Herzegovina, El-Kalem, publishing activities (Library: Cultural Heritage), Sarajevo, 1990, Latin, p. 581.\t<\/p>\n\n<\/div>\n\n<\/div>\n\n\n<div data-spectra-id=\"spectra-949e97a8-9fe6-4c94-9b3b-c3998260f021\" style=\"overflow: visible\" class=\"spectra-overlay-color spectra-overflow wp-block-spectra-container\" data-orientation=\"horizontal\">\n\t\n<div data-spectra-id=\"spectra-4f9d8a20-6104-4782-9ee7-f66cd1028409\" style=\"overflow: visible\" class=\"spectra-overlay-color spectra-overflow wp-block-spectra-container\" data-orientation=\"vertical\">\n\t\n\t<h2 data-spectra-id=\"spectra-7b354bad-587a-4599-9c2b-0e3ffd391a1b\" style=\"color:var(--ast-global-color-0)\" class=\"wp-block-spectra-content has-text-color\">\n\t\t1971\t<\/h2>\n\n\n\t<h5 data-spectra-id=\"spectra-f4caea16-dfe6-426a-8cce-154ac1591927\" class=\"wp-block-spectra-content\">\n\t\tSpring. A Literary-Historical Monograph\t<\/h5>\n\n\n\t<p data-spectra-id=\"spectra-c8994d2d-12b6-4d05-b5a9-1e456967ba7e\" class=\"wp-block-spectra-content\">\n\t\tSvjetlost, Sarajevo, 1971 (with the monograph and a Bibliography of Literary Contributions in &quot;Behar&quot;), Latin, 629 pp. \u2013 2nd edn, Svjetlost, Sarajevo, 2000.\t<\/p>\n\n<\/div>\n\n\n<div data-spectra-id=\"spectra-c10be495-4929-4b16-85af-cda53a952608\" style=\"overflow: visible\" class=\"spectra-overlay-color spectra-overflow wp-block-spectra-container\" data-orientation=\"vertical\">\n\t\n\t<h2 data-spectra-id=\"spectra-bdb7ac74-6243-41cf-a587-840154ddf0a6\" style=\"--spectra-text-color: var(--ast-global-color-0)\" class=\"has-text-color spectra-text-color wp-block-spectra-content has-var-ast-global-color-0-color\">\n\t\t1969\t<\/h2>\n\n\n\t<h5 data-spectra-id=\"spectra-1088eea0-6538-4117-a27e-bff1a9ad3df6\" class=\"wp-block-spectra-content\">\n\t\tAbove and Below the Text. Essays and Criticism\t<\/h5>\n\n\n\t<p data-spectra-id=\"spectra-88626457-ad8e-435c-b85d-49eef1566e63\" class=\"wp-block-spectra-content\">\n\t\tSvjetlost, Sarajevo, 1969, Latin, p. 215.\t<\/p>\n\n<\/div>\n\n\n<div data-spectra-id=\"spectra-ae44a2d7-ee6c-4b75-812b-f4ffcb7293ee\" style=\"overflow: visible\" class=\"spectra-overlay-color spectra-overflow wp-block-spectra-container\" data-orientation=\"vertical\">\n\t<\/div>\n\n<\/div>\n\n<\/div>\n\n\n<div data-spectra-id=\"355c401a\" style=\"overflow: visible;--spectra-overlay-opacity: 1\" class=\"spectra-overlay-color spectra-overflow spectra-dim-ratio wp-block-spectra-container\" data-orientation=\"vertical\">\n\t\n<div data-spectra-id=\"spectra-mipp6he5-ivkxdv\" style=\"overflow: visible\" class=\"spectra-overlay-color spectra-overflow wp-block-spectra-container\" data-orientation=\"horizontal\">\n\t\n<div data-spectra-id=\"spectra-f80a30d8-root\" style=\"overflow: visible\" class=\"spectra-overlay-color spectra-overflow wp-block-spectra-container\" data-orientation=\"vertical\">\n\t\n\t<h5 data-spectra-id=\"spectra-f80a30d8-heading\" style=\"color:var(--ast-global-color-0)\" class=\"wp-block-spectra-content has-text-color\">\n\t\tBibliography\t<\/h5>\n\n<\/div>\n\n\n<div data-spectra-id=\"d477b15d\" style=\"overflow: visible;--spectra-overlay-opacity: 1\" class=\"spectra-overlay-color spectra-overflow spectra-dim-ratio wp-block-spectra-container\" data-orientation=\"vertical\">\n\t\n\t<h2 data-spectra-id=\"spectra-a10546e1-heading\" class=\"wp-block-spectra-content\">\n\t\tSelective Bibliography of Critical Texts by Muhsin Rizvi\u0107\t<\/h2>\n\n\n\t<p data-spectra-id=\"spectra-mrjey56c-kfh1et\" class=\"wp-block-spectra-content\">\n\t\t1. Agi\u0107, Nihad: Bosnian literary criticism from 1945 to 1991. The Link between Meaning and Form, in the book: Bosnian Literature in Literary Criticism, Vol. VI, edited by Enes Durakovi\u0107 and Fahrudin Rizvanbegovi\u0107, Sarajevo, 1998, (on Rizvi\u0107 on pp. 75\u201377)<br>2. Begi\u0107, Midhat: The Novelty and Originality of Muhsin Rizvi\u0107 (Muhsin Rizvi\u0107, Above and Below the Score, Sarajevo, 1969), Izraz, XIV\/1970, 4, 398-404.<br>3. \u2013: Chronicle of Literary Life (Muhsin Rizvi\u0107, Literary Life of Bosnia and Herzegovina between the Two Wars, I\u2013III)<br>, Sarajevo, 1980.), &quot;Izraz&quot;, XXV\/1981., no. 6, pp. 645\u2013653.<br>4. Brka, Amir: Muhsin Rizvi\u0107, Through the Gorski Vijenac, Sarajevo, 1989, Slobodni reporter (Doboj), I\/1990, pp. 4\u201314.<br>5. \u2013 : Muhsin Rizvi\u0107, Essays on Gaj and Vuk, Sarajevo, 1989, \u017divot, XXXIX\/1990, pp. 738-740.<br>6. Cvijeti\u0107, Ljubomir: Muhsin Rizvi\u0107, Essays on Romanticism, in the book Resistances and Acceptances, Subotica, 1983.<br>7. Drugovac, Miodrag: Muhsin Rizvi\u0107, Iznad i ispod teksta, Sarajevo, 1969., Savremenik, XVI\/1970., no. 6, pp. 590-592.<br>8. Durakovi\u0107, Enes: Muhsin Rizvi\u0107: Bosnian literary studies, Sarajevo, 1980, Oslobo\u0111enje, XXXVIII\/1981, 11759 (4 March)<br>.). 538<br>9. Muhsin Rizvi\u0107, The Literary Life of Bosnia and Herzegovina Between the Two World Wars, I-III<br>, Sarajevo, 1980, Delo (Belgrade), XXVIII\/1982, no. 7, pp. 79-82.<br>10. Muhsin Rizvi\u0107, Survey of the Literature of the Peoples of Bosnia and Herzegovina, Sarajevo, 1985, Oslobo\u0111enje, XLIII\/1986, 13619 (21 May).<br>11. Muhsin Rizvi\u0107, Currents and Creators from Bosnian Literature, Tuzla, 1986, Oslobo\u0111enje, XLIV\/1987, 13888 (18 February).<br>12. D\u017eanko, Muhidin: The Critic in Solitude (paper from the 1999 scientific conference on Muhsin Rizvi\u0107, manuscript).<br>13. \u0110or\u0111i\u0107, Stojan: Muhsin Rizvi\u0107, Knji\u017eevno stvaranje muslimanskih pisaca u vrijeme austrougarske vladavine I-II, Sarajevo, 1973., Knji\u017eevna istorija (Belgrade), VI\/1974., no. 24, pp. 765-766.<br>14. Gajevi\u0107, Dragomir: Doubts and Disagreements about Our Literary Life, Radio Sarajevo \u2013 Third Programme, XVIII\/1990, pp. 66\u201367, pp. 607\u2013612.<br>15. Had\u017eagi\u0107, Muzafer: Muhsin Rizvi\u0107, Knji\u017eevno stvaranje muslimanskih pisaca u vrijeme austrougarske vladavine I-II, Sarajevo, 1973, Odjek, XXVII\/1974, no. 4, p. 7.<br>16. Hajdarevi\u0107, Had\u017eem: Notes on Muhsin Rizvi\u0107&#x27;s Panorama of Bosnian Literature, in the book: Bosnian Literature in Literary Criticism, Vol. VI, Sarajevo, 1998, pp. 411-418.<br>17. Hand\u017ei\u0107, Izet: Muhsin Rizvi\u0107, The Literary Life of Bosnia and Herzegovina Between the Two Wars, I\u2013III<br>, Sarajevo, 1980, \u017divot, XXXII\/1983, no. 1-2, 152-157.<br>18. Imamovi\u0107, Mustafa: The Origin and Development of Modern Muslim Literature (Muhsin Rizvi\u0107, Literary Creation of Muslim Writers in the Era of Austro-Hungarian Rule I-II, Sarajevo, 1973.), \u017divot, XXIII\/1974., no. 4, pp. 481-485.<br>19. Jahi\u0107, D\u017eevad: On the linguistic identity of a literature, On the occasion of Muhsin Rizvi\u0107&#x27;s book \u2013 Survey of the Literature of the Peoples of Bosnia and Herzegovina, Sarajevo, 1985., Odjek, XL\/1987., no. 4, pp. 21-22.<br>20. Kamberovi\u0107, Husnija: Muhsin Rizvi\u0107, Ogledi Gaja i Vuka, Sarajevo, 1989., Istorijski zbornik, Banja Luka, X\/1989., no. 10, pp. 227-229.<br>21. Kazaz, Enver: Literary History and Ideology, Radio Sarajevo \u2013 Third Programme, XVIII\/1990, no. 66\u201367, pp. 617\u2013624.<br>22. Klju\u010danin, Zilhad: A Continuing Continuity (Muhsin Rizvi\u0107, Survey of the Literature of the Peoples of Bosnia and Herzegovina), Sarajevo, 1985, Odjek, XL\/1987, no. 21, pp. 9\u201310.<br>23. Kuja\u010da, Tri\u0161a: Muhsin Rizvi\u0107, Survey of the Literature of the Peoples of Bosnia and Herzegovina, Sarajevo, 1985, \u017divot, XXXVI\/1987, no. 5, pp. 679\u2013682.<br>24. Leovac, Slavko: Monograph on Behar (Muhsin Rizvi\u0107, Behar, Sarajevo, 1971), Izraz, XV\/1971, no. 4, pp. 413\u2013417.<br>25. Lovrenovi\u0107, Ivan: Muhsin Rizvi\u0107, Interpretations from Romanticism, II, Sarajevo, 1984, Oslobo\u0111enje, XLII\/\u2013\/1985, 132\u201313, (3 April).<br>26. Liljak, Aleksandar: Writers and Phenomena, Sarajevo, 1981.<br>27. \u2013 : Muhsin Rizvi\u0107, Behar, Sarajevo, 1971., &quot;Contributions to the Study of the History of Sarajevo&quot;, IV\/1974., pp. 353-362.<br>28. Maglajli\u0107, Munib: Muhsin Rizvi\u0107, Izraz, XIX\/1975., no. 4-5, pp. 626-632.<br>29. \u2013 : Muhsin Rizvi\u0107: Bosnian-Herzegovinian Literary Studies, Sarajevo, 1980, Odjek, XXXIV\/1981, no. 20, p. 9.<br>30. \u2013: A significant monograph, Izraz, XIX\/1975, no. 1, pp. 95\u201399.<br>31. \u2013 : The Strange Vuk&#x27;s Paradox (Muhsin Rizvi\u0107, Essays on Gaj and Vuk, Sarajevo, 1989.), Knji\u017eevna revija, Sarajevo, III<br>1990, no. 33\/34, p. 21.<br>32. Maksimovi\u0107, Vojislav: Muhsin Rizvi\u0107, Behar, Sarajevo, 1971., Odjek, XXIV\/1971., no. 9, pp. 22-23.<br>33. Numi\u0107, Hajrudin: Light in the Dark (Muhsin Rizvi\u0107, Bosnian Muslims in Andri\u0107&#x27;s World, Sarajevo, 1995.), Oslobo\u0111enje, Sarajevo, 9 April 1996.<br>34. Palameta, Miroslav: Muhsin Rizvi\u0107, Ogledi Gaja i Vuka, Sarajevo, 1989, &quot;Odjek&quot;, XLII\/1989, no. 24, p. 25.<br>35. \u0160imunovi\u0107, Pero: Stare zablude i novi zanosi, Knji\u017eevnost, XXXVII\/1982., no. 9, pp. 1395-1413.<br>36. \u2013: Are we only dealing with flights of fancy? Literature, 1983, 38\/1, no. 3-4, pp. 699-721.<br>37. Tutnjevi\u0107, Stani\u0161a: Literary Guilt and Revenges, Sarajevo, 1980.<br>38. Tomi\u0107-Kova\u010d, Ljubica: Knjigom na knjigu, Radio Sarajevo Third Programme, XVIII\/1990, nos. 66\u201367, pp. 597\u2013601.\t<\/p>\n\n<\/div>\n\n<\/div>\n\n<\/div>\n\n<\/div>\n\n\n<div data-spectra-id=\"efcdf3b9\"\tstyle=\"overflow: visible;--spectra-overlay-opacity: 1\" class=\"spectra-is-root-container alignfull spectra-overlay-color spectra-overflow spectra-dim-ratio wp-block-spectra-container\" data-orientation=\"vertical\"\t>\n\t\n<div data-spectra-id=\"spectra-mipo5069-18ybk5\" style=\"overflow: visible\" class=\"spectra-overlay-color spectra-overflow wp-block-spectra-container\" data-orientation=\"vertical\">\n\t\n\t<h5 data-spectra-id=\"spectra-77136102-prefix\" style=\"--spectra-text-color: var(--ast-global-color-0)\" class=\"has-text-color spectra-text-color wp-block-spectra-content has-var-ast-global-color-0-color\" id=\"multimedija\">\n\t\tmultimedia\t<\/h5>\n\n\n<div data-spectra-id=\"9eadf28c\" style=\"overflow: visible;--spectra-overlay-opacity: 1\" class=\"spectra-overlay-color spectra-overflow spectra-dim-ratio wp-block-spectra-container\" data-orientation=\"horizontal\">\n\t\n<div data-spectra-id=\"spectra-273a0333-root\" style=\"overflow: visible\" class=\"spectra-overlay-color spectra-overflow wp-block-spectra-container\" data-orientation=\"vertical\">\n\t\n\n<figure data-spectra-id=\"spectra-273a0333-img\" class=\"wp-block-image size-full is-resized has-custom-border\" style=\"padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px\"><img loading=\"lazy\" decoding=\"async\" width=\"368\" height=\"552\" src=\"https:\/\/muhsinrizvic.ba\/wp-content\/uploads\/2026\/07\/ebooks.jpg\" alt=\"ebooks\" class=\"wp-image-2138\" title=\"theatre-artist-template-repertoire-img-1\" srcset=\"https:\/\/muhsinrizvic.ba\/wp-content\/uploads\/2026\/07\/ebooks.jpg 368w, https:\/\/muhsinrizvic.ba\/wp-content\/uploads\/2026\/07\/ebooks-200x300.jpg 200w\" sizes=\"auto, (max-width: 368px) 100vw, 368px\" \/><\/figure>\n\n\n\t<p data-spectra-id=\"spectra-33e70597-desc\" class=\"wp-block-spectra-content\">\n\t\t<br><a href=\"https:\/\/muhsinrizvic.ba\/en\/elektronske-verzije-knjiga-i-tekstova\/\" data-type=\"page\" data-id=\"2272\">Download electronic versions of books and texts<\/a>\t<\/p>\n\n<\/div>\n\n\n<div data-spectra-id=\"spectra-33e70597-root\" style=\"overflow: visible\" class=\"spectra-overlay-color spectra-overflow wp-block-spectra-container\" data-orientation=\"vertical\">\n\t\n\n<figure data-spectra-id=\"spectra-33e70597-img\" class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"368\" height=\"552\" src=\"https:\/\/muhsinrizvic.ba\/wp-content\/uploads\/2026\/07\/MR-e1783968317935.jpg\" alt=\"mr\" class=\"wp-image-2268\" title=\"theatre-artist-template-repertoire-img-2\" \/><\/figure>\n\n\n\t<p data-spectra-id=\"spectra-7ce2c4dd-6a8e-42eb-add9-fd2bf28dc57f\" class=\"wp-block-spectra-content\">\n\t\t<br><a 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data-spectra-id=\"spectra-eaacf9b9-2604-4184-9c18-21048ca09002\"\tstyle=\"overflow: visible;--spectra-overlay-opacity: 1\" class=\"spectra-is-root-container alignfull spectra-overlay-color spectra-overflow spectra-dim-ratio wp-block-spectra-container\" data-orientation=\"vertical\"\t>\n\t\n<div data-spectra-id=\"spectra-2adc23d4-8f7a-42de-8703-6e0b8c8ed06c\" style=\"overflow: visible\" class=\"spectra-overlay-color spectra-overflow wp-block-spectra-container\" data-orientation=\"horizontal\">\n\t\n<div data-spectra-id=\"spectra-6a2da5ec-b717-479b-a7eb-fffc3175e2a4\" style=\"overflow: visible\" class=\"spectra-overlay-color spectra-overflow wp-block-spectra-container\" data-orientation=\"vertical\">\n\t\n\t<h5 data-spectra-id=\"spectra-cc01a426-91f2-4986-b746-16e4f3f63d38\" style=\"color:var(--ast-global-color-0)\" class=\"wp-block-spectra-content has-text-color\" id=\"orizvicu\">\n\t\tabout the development\t<\/h5>\n\n<\/div>\n\n\n<div data-spectra-id=\"spectra-afd1afbe-e5a8-483c-9474-60f0e319cb9c\" style=\"overflow: visible;--spectra-overlay-opacity: 1\" class=\"spectra-overlay-color spectra-overflow spectra-dim-ratio wp-block-spectra-container\" data-orientation=\"vertical\">\n\t\n\t<h2 data-spectra-id=\"spectra-0a375bb0-f951-4e8a-9209-3a1df86fde7b\" class=\"wp-block-spectra-content\">\n\t\tSelective literature on <br>Muhsin Rizvi\u0107\t<\/h2>\n\n\n\t<p data-spectra-id=\"spectra-88375643-ff1e-4945-9597-1cc5ef6f507c\" class=\"wp-block-spectra-content\">\n\t\t1. Agi\u0107, Nihad: Bosnian literary criticism from 1945 to 1991. The Link between Meaning and Form, in the book: Bosnian Literature in Literary Criticism, Vol. VI, edited by Enes Durakovi\u0107 and Fahrudin Rizvanbegovi\u0107, Sarajevo, 1998, (on Rizvi\u0107 on pp. 75\u201377)<br>2. Begi\u0107, Midhat: The Novelty and Originality of Muhsin Rizvi\u0107 (Muhsin Rizvi\u0107, Above and Below the Score, Sarajevo, 1969), Izraz, XIV\/1970, 4, 398-404.<br>3. \u2013: Chronicle of Literary Life (Muhsin Rizvi\u0107, Literary Life of Bosnia and Herzegovina between the Two Wars, I\u2013III)<br>, Sarajevo, 1980.), &quot;Izraz&quot;, XXV\/1981., no. 6, pp. 645\u2013653.<br>4. Brka, Amir: Muhsin Rizvi\u0107, Through the Gorski Vijenac, Sarajevo, 1989, Slobodni reporter (Doboj), I\/1990, pp. 4\u201314.<br>5. \u2013 : Muhsin Rizvi\u0107, Essays on Gaj and Vuk, Sarajevo, 1989, \u017divot, XXXIX\/1990, pp. 738-740.<br>6. Cvijeti\u0107, Ljubomir: Muhsin Rizvi\u0107, Essays on Romanticism, in the book Resistances and Acceptances, Subotica, 1983.<br>7. Drugovac, Miodrag: Muhsin Rizvi\u0107, Iznad i ispod teksta, Sarajevo, 1969., Savremenik, XVI\/1970., no. 6, pp. 590-592.<br>8. Durakovi\u0107, Enes: Muhsin Rizvi\u0107: Bosnian literary studies, Sarajevo, 1980, Oslobo\u0111enje, XXXVIII\/1981, 11759 (4 March)<br>.). 538<br>9. Muhsin Rizvi\u0107, The Literary Life of Bosnia and Herzegovina Between the Two World Wars, I-III<br>, Sarajevo, 1980, Delo (Belgrade), XXVIII\/1982, no. 7, pp. 79-82.<br>10. Muhsin Rizvi\u0107, Survey of the Literature of the Peoples of Bosnia and Herzegovina, Sarajevo, 1985, Oslobo\u0111enje, XLIII\/1986, 13619 (21 May).<br>11. Muhsin Rizvi\u0107, Currents and Creators from Bosnian Literature, Tuzla, 1986, Oslobo\u0111enje, XLIV\/1987, 13888 (18 February).<br>12. D\u017eanko, Muhidin: The Critic in Solitude (paper from the 1999 scientific conference on Muhsin Rizvi\u0107, manuscript).<br>13. \u0110or\u0111i\u0107, Stojan: Muhsin Rizvi\u0107, Knji\u017eevno stvaranje muslimanskih pisaca u vrijeme austrougarske vladavine I-II, Sarajevo, 1973., Knji\u017eevna istorija (Belgrade), VI\/1974., no. 24, pp. 765-766.<br>14. Gajevi\u0107, Dragomir: Doubts and Disagreements about Our Literary Life, Radio Sarajevo \u2013 Third Programme, XVIII\/1990, pp. 66\u201367, pp. 607\u2013612.<br>15. Had\u017eagi\u0107, Muzafer: Muhsin Rizvi\u0107, Knji\u017eevno stvaranje muslimanskih pisaca u vrijeme austrougarske vladavine I-II, Sarajevo, 1973, Odjek, XXVII\/1974, no. 4, p. 7.<br>16. Hajdarevi\u0107, Had\u017eem: Notes on Muhsin Rizvi\u0107&#x27;s Panorama of Bosnian Literature, in the book: Bosnian Literature in Literary Criticism, Vol. VI, Sarajevo, 1998, pp. 411-418.<br>17. Hand\u017ei\u0107, Izet: Muhsin Rizvi\u0107, The Literary Life of Bosnia and Herzegovina Between the Two Wars, I\u2013III<br>, Sarajevo, 1980, \u017divot, XXXII\/1983, no. 1-2, 152-157.<br>18. Imamovi\u0107, Mustafa: The Origin and Development of Modern Muslim Literature (Muhsin Rizvi\u0107, Literary Creation of Muslim Writers in the Era of Austro-Hungarian Rule I-II, Sarajevo, 1973.), \u017divot, XXIII\/1974., no. 4, pp. 481-485.<br>19. Jahi\u0107, D\u017eevad: On the linguistic identity of a literature, On the occasion of Muhsin Rizvi\u0107&#x27;s book \u2013 Survey of the Literature of the Peoples of Bosnia and Herzegovina, Sarajevo, 1985., Odjek, XL\/1987., no. 4, pp. 21-22.<br>20. Kamberovi\u0107, Husnija: Muhsin Rizvi\u0107, Ogledi Gaja i Vuka, Sarajevo, 1989., Istorijski zbornik, Banja Luka, X\/1989., no. 10, pp. 227-229.<br>21. Kazaz, Enver: Literary History and Ideology, Radio Sarajevo \u2013 Third Programme, XVIII\/1990, no. 66\u201367, pp. 617\u2013624.<br>22. Klju\u010danin, Zilhad: A Continuing Continuity (Muhsin Rizvi\u0107, Survey of the Literature of the Peoples of Bosnia and Herzegovina), Sarajevo, 1985, Odjek, XL\/1987, no. 21, pp. 9\u201310.<br>23. Kuja\u010da, Tri\u0161a: Muhsin Rizvi\u0107, Survey of the Literature of the Peoples of Bosnia and Herzegovina, Sarajevo, 1985, \u017divot, XXXVI\/1987, no. 5, pp. 679\u2013682.<br>24. Leovac, Slavko: Monograph on Behar (Muhsin Rizvi\u0107, Behar, Sarajevo, 1971), Izraz, XV\/1971, no. 4, pp. 413\u2013417.<br>25. Lovrenovi\u0107, Ivan: Muhsin Rizvi\u0107, Interpretations from Romanticism, II, Sarajevo, 1984, Oslobo\u0111enje, XLII\/\u2013\/1985, 132\u201313, (3 April).<br>26. Liljak, Aleksandar: Writers and Phenomena, Sarajevo, 1981.<br>27. \u2013 : Muhsin Rizvi\u0107, Behar, Sarajevo, 1971., &quot;Contributions to the Study of the History of Sarajevo&quot;, IV\/1974., pp. 353-362.<br>28. Maglajli\u0107, Munib: Muhsin Rizvi\u0107, Izraz, XIX\/1975., no. 4-5, pp. 626-632.<br>29. \u2013 : Muhsin Rizvi\u0107: Bosnian-Herzegovinian Literary Studies, Sarajevo, 1980, Odjek, XXXIV\/1981, no. 20, p. 9.<br>30. \u2013: A significant monograph, Izraz, XIX\/1975, no. 1, pp. 95\u201399.<br>31. \u2013 : The Strange Vuk&#x27;s Paradox (Muhsin Rizvi\u0107, Essays on Gaj and Vuk, Sarajevo, 1989.), Knji\u017eevna revija, Sarajevo, III<br>1990, no. 33\/34, p. 21.<br>32. Maksimovi\u0107, Vojislav: Muhsin Rizvi\u0107, Behar, Sarajevo, 1971., Odjek, XXIV\/1971., no. 9, pp. 22-23.<br>33. Numi\u0107, Hajrudin: Light in the Dark (Muhsin Rizvi\u0107, Bosnian Muslims in Andri\u0107&#x27;s World, Sarajevo, 1995.), Oslobo\u0111enje, Sarajevo, 9 April 1996.<br>34. Palameta, Miroslav: Muhsin Rizvi\u0107, Ogledi Gaja i Vuka, Sarajevo, 1989, &quot;Odjek&quot;, XLII\/1989, no. 24, p. 25.<br>35. \u0160imunovi\u0107, Pero: Stare zablude i novi zanosi, Knji\u017eevnost, XXXVII\/1982., no. 9, pp. 1395-1413.<br>36. \u2013: Are we only dealing with flights of fancy? Literature, 1983, 38\/1, no. 3-4, pp. 699-721.<br>37. Tutnjevi\u0107, Stani\u0161a: Literary Guilt and Revenges, Sarajevo, 1980.<br>38. Tomi\u0107-Kova\u010d, Ljubica: Knjigom na knjigu, Radio Sarajevo Third Programme, XVIII\/1990, nos. 66\u201367, pp. 597\u2013601.\t<\/p>\n\n<\/div>\n\n<\/div>\n\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"full-width-container","site-content-style":"unboxed","site-sidebar-style":"unboxed","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"enabled","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-691","page","type-page","status-publish","hentry"],"uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false,"trp-custom-language-flag":false},"uagb_author_info":{"display_name":"admin","author_link":"https:\/\/muhsinrizvic.ba\/en\/author\/srizvic_g5bwv4fp\/"},"uagb_comment_info":0,"uagb_excerpt":null,"_links":{"self":[{"href":"https:\/\/muhsinrizvic.ba\/en\/wp-json\/wp\/v2\/pages\/691","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/muhsinrizvic.ba\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/muhsinrizvic.ba\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/muhsinrizvic.ba\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/muhsinrizvic.ba\/en\/wp-json\/wp\/v2\/comments?post=691"}],"version-history":[{"count":93,"href":"https:\/\/muhsinrizvic.ba\/en\/wp-json\/wp\/v2\/pages\/691\/revisions"}],"predecessor-version":[{"id":2351,"href":"https:\/\/muhsinrizvic.ba\/en\/wp-json\/wp\/v2\/pages\/691\/revisions\/2351"}],"wp:attachment":[{"href":"https:\/\/muhsinrizvic.ba\/en\/wp-json\/wp\/v2\/media?parent=691"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}